Company Profile
Cabrillo Festival of Contemporary Music
Company Overview
The Cabrillo Festival of Contemporary Music, even at a seasoned 60 years old, is all about the new—the here and now of contemporary works for orchestra. To quote Financial Times music critic Allan Ulrich, “…in the surf mecca of Santa Cruz, 75 miles south of San Francisco, the Cabrillo Festival has made the contemporary repertoire sound urgent, indispensable and even sexy.”
In late July and early August each year, audiences are joined by both preeminent and emerging composers, spectacular guest artists, and an orchestra of dedicated professional musicians from across the globe to give voice to works which are rarely more than a year or two old, and sometimes still wet on the page. The opportunity for composers to work with musicians skilled and enthusiastic about bringing these new works to life, in the beautiful, coastal college-town of Santa Cruz, California, makes this an artistic paradise. With a professional training workshop for early career conductors and composers, open rehearsals almost daily, educational programming, and much more, the Cabrillo Festival has dozens of opportunities for meaningful engagement.
Company History
Our story begins in the summer of 1961 when young composer-musician Robert Hughes stepped from a Greyhound bus at the Sticky Wicket, an Aptos, California coffeehouse along the then two-lane Highway 1. He had just arrived from Italy to study with composer Lou Harrison. At the same time, Hughes joined Sticky Wicket owners Vic and Sidney Jowers and others to present quality music and theater at the coffeehouse. Nearly 200 people could be seated before a wooden stage in the field next door to enjoy a Stravinsky opera or a chamber music concert.
A year later, Cabrillo College opened its Aptos campus. Faculty choral director Ted Toews and soprano Alyce Vestal joined the Sticky Wicket gang and Lou Harrison to help shape the expansion of the Sticky Wicket Concert Series into Cabrillo Music Festival. Gene Hambelton and area newcomer Bud Kretschmer became part of that group as it progressed.
About 300 people attended opening night at the Cabrillo College Theater, August 21, 1963. At 8:15 p.m., a thrill rippled through the audience when the Festival’s first music director, Gerhard Samuel, stepped to the podium! For 15 years the Festival continued under the wing of Cabrillo College, until the passage of Proposition 13 dealt a devastating blow to arts funding. In the years to follow, the Festival travelled from church to church around the county and even into a big tent on the UCSC campus. As well, it made a much-beloved pilgrimage to Mission San Juan Bautista for more than four decades. In 1991, following the 1989 Loma Prieta earthquake, the Festival made the Santa Cruz Civic Auditorium its home venue and has been an important part of downtown’s summertime experience ever since.
Cabrillo Festival has been led by a succession of distinguished music directors dedicated to new music for orchestra including Gerhard Samuel (1963-68), Mexican composer Carlos Chávez (1970-73), conductor Dennis Russell Davies (1974-1990), American composer John Adams (1991), and conductor (and now Music Director Laureate) Marin Alsop (1992-2016). In 2017, Cristian Macelaru took the helm, ushering in a new era of brilliant music-making to come.
Since its founding, the Festival has presented 175 world premieres, 78 U.S. premieres, 170 West Coast premieres and countless local premieres and included the participation of more than 300 composers, including John Adams, William Bolcom, John Cage, Elliott Carter, Aaron Copland, John Corigliano, Philip Glass, Lou Harrison, Jennifer Higdon, Libby Larsen, Tania Leon, James MacMillan, Pauline Oliveros, Arvo Pärt, Kevin Puts, Christopher Rouse, Virgil Thomson, and Joan Tower.
WQXR named Cabrillo Festival “one of the top five incubators of new music” in the world, and The Wall Street Journal described the Festival as “two of the most thoughtful and original summer musical weekends anywhere in America.” Following Cristian Macelaru’s second season at its helm, The Monterey Herald claimed “Santa Cruz’s Cabrillo Festival of Contemporary Music is a national treasure with a strong international identity and importance. The Festival is a bright beacon of creativity and inspiration for living composers and new music lovers throughout the world.”
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